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Fiennes doesn’t need to do much more than keep her cameras fixed on Žižek; a born showman, he knows exactly how to play to them. Some of his pieces appear to be only partially scripted, and ideas tumble from his lips at an impressive pace. Still, there’s whiff of neediness in such a performance, and his tirades finally become exhausting. There are those who find Žižek a delight; but well before the two-hour mark, one feels he has delighted us long enough. |
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